I was woken up this morning by the sound of snowplow blades scraping against asphalt, and looked out the window to see 5 inches of snow on my car. While mildly annoying, it is really nothing new or extraordinary to anyone who has lived in New England for any extended period of time. However, this being the first significantly-accumulating snowfall of the year, tonight I will be partaking in a long-standing tradition of watching The Shining when I get home from work.
Years ago, my friend Craig suggested this as the perfect movie for when it's snowing, and my friends and I made a yearly ritual out of it. The idea was such a good one that it has stayed with me in the 10 or so years since it was conceived. But the real connection between the film and the conditions is obviously just the snow, not anything to do with Christmas or the holiday season in general.
For some reason, this got me thinking on a tangent as I was driving to work this morning at 15 MPH. Sure, there are plenty of bona fide Christmas movies out there, such as Bob Clark's ubiquitous A Christmas Story, or my personal favorite, Brian Desmond Hurst's 1951 version of Scrooge, starring the perfectly-cast Alastair Sim. But for some reason, I have always loved movies that are sort of about Christmas, but not really. Movies in which Christmas is featured, but in a more tangential or incidental sense. So, without further ado, here is my short personal list of favorite "Sort-Of Christmas Movies":
Die Hard - NYPD Detective John McClane (Bruce Willis) is invited to LA by his estranged wife (Bonnie Bedelia) to attend her office Christmas party. It just so happens that at the same time, a group of German terrorists (led by the incomparable Alan Rickman) has infiltrated and beseiged the entire building. In a series of physics-defying Christmas miracles, McClane manages to slip away, assess the situation, and pretty much singlehandedly kill the shit out of all the bad guys, while also managing to piss off the FBI and befriend the dad from Family Matters, who seems to always play a cop in everything he's ever been in. (Cracked's Robert Brockway weighs in on this one here.)
Gremlins - Steven Spielberg and Joe Dante bring us the story of a young bank teller who is given a bizarre and exotic Christmas gift by his eccentric inventor dad, Hoyt Axton. It is an impossibly adorable little furry thing called a mogwai, which, through the violation of some logically arbitrary "rules" and Corey Feldman being an idiot, manages to reproduce and spawn an army of evil, obnoxious reptiles. Chaos ensues, of course. I love this movie mostly because it manages to combine the elements of small-town politics from It's A Wonderful Life with the campy "Monsters are invading the town and the authorities don't believe me!" premise from virtually every monster and sci-fi movie of the 1950's.
Edward Scissorhands - In this highly stylized modern-day fairy tale about a hopelessly deformed misfit adopted by a suburban family, Tim Burton manages to maintain a charming tone while teaching us satirical lessons on morality, love, tolerance, gossip, and the origin of snow. Another bizarre cross-genre film that mixes the gothic feel of Frankenstein with the small-town sensibilities of Anytown, USA. Also notable for being Vincent Price's final film appearance, and I must say that for what amounts to little more than an extended cameo, he really added a beautiful dimension to the film as Edward's creepy-cute mad scientist "father".
Love Actually - A sprawling, sappy manifesto on the many facets of love, which I happen to think is completely adorable. This movie tells the 653 intertwining stories of 1,022 characters who all know each other or are related or fall in love or whatever. The brilliant Bill Nighy totally steals the show as the burned-out former rock star hilariously attempting to use Christmas to resurrect his fame and fortune. Also features some dated and awkwardly shoehorned-in UK vs. USA political commentary between altruistic Prime Minister Hugh Grant, and sleazy US President Billy Bob Thornton, when a momentary love triangle between them and Martine McCutcheon somehow translates into a pissy foreign relations incident. (??)
Brazil - Set during the Holiday Season in some unspecified, dystopian year in the near future, Terry Gilliam's masterpiece is a sort of tongue-in-cheek version of Orwell's Nineteen Eighty Four. In my opinion, this is not only an incredibly great movie and a chilling vision of a totalitarian and beaurocratic future, it is also the single most re-watchable movie I have ever seen (like, 50 times). If you haven't seen this movie, you haven't lived. Features top-notch performances by Jonathan Pryce, Ian Holm, Katherine Helmond, Robert DeNiro, Jim Broadbent, and Michael Palin. (Note: Also available in the despicably mangled studio edit, scornfully referred to as the "Love Conquers All" version. Do NOT watch this under any circumstances.)
So, there you have it. Something a little different for this year's Christmas movie-watching festivities, if you're in the mood. All of these movies are great on their own merits, but they are especially fun to watch during the holidays. Enjoy!
Lots to watch. Good thing the Christmas season lasts more than one night! Thanks for sharing your faves.
— By Pat McDermott, on
December 9, 2009 7:25 PM
For any form of satire to be considered truly great, I believe it has to walk so close to the truth that it's barely distinguishable from it. Whether exaggerated or slightly understated, satire is probably my favorite form of comedy. It often brings about some of the most sophisticated, clever, and disturbing genius comedy has to offer.
Many years ago, my sister introduced me to The Onion, and its brilliant satirical walk through fake journalistic history called "Our Dumb Century". By creating imaginary past issues of a newspaper that would often make either terrifyingly true or intentionally false predictions about the future (which was actually the past or present), "Our Dumb Century" underlined much of the stupidity and ridiculousness of human progress and historical events. The 1969 Moon Landing, for example. Taking into account the entire scope of human history, it seems a little less exciting today than it probably did 40 years ago.
Today, after a long hiatus from reading The Onion, I clicked on it this morning before heading off to work, and was simultaneously awed, disturbed, and greatly amused by the Onion's latest meta-joke. The owner of the Onion, one T. Herman Zweibel (think the Simpsons' Monty Burns with a bad case of Alzheimer's) has sold the paper to China. Today's issue features disinformation, propaganda galore, self-aggrandizing nationalistic rhetoric, harsh criticism of Americans and American culture, and a lot of censorship. Included are such hilarious articles as:
This "sale" comes on the heels of many terrifying stories reported from China, such as the blocking of the wildly popular micro-blogging site Twitter due to the fact that it seems to have allowed too much communicating between Chinese citizens that directly contradicted official, sanitized government reports. The paper's sale also seems to have roots in the many shutdown scares of long-respected American newspapers on the verge of bankruptcy.
In any case, I applaud the Onion for bringing attention to such full-blown fascism, and doing it in such a way that makes us laugh instead of cry. The political and social climate in China remains fascinating food for thought, but that doesn't mean we shouldn't stop and have a few much-needed laughs along the way to whatever solution might lie on the horizon.
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